sculpture

A flowering of activity for Robert Irwin, 81 by Leah Ollman (Printed April 11th, 2010 Los Angles Times)

He's alway's reday to see the light, 81 by Leah Ollman printed on April 11th, 2010 in the Los Angles Times

No one seems more tickled than Robert Irwin himself by where the artist, at 81, has landed. “It’s fairly humorous,” he says with a smile. Whatever the unsavory circumstances, “I come up smelling like a rose. I like what I’m doing.”

In his customary jeans and baseball cap, he sits among his newly installed work at Quint Contemporary Art in La Jolla, not exactly smug but clearly satisfied. This is his first commercial gallery show in California in 30 years, the result of several significant shifts in his working process. He resisted every one of them, but each ended up delivering unexpected opportunities. They’ve left him chuckling — surprised and grateful.

His new fluorescent tube sculptures relate to other work he’s made over the decades, but they sprang most directly out of an extensive exhibition at the Museum of Contemporary Art San Diego’s two newly built downtown locations in 2007-08. Director Hugh Davies organized the show, which traced Irwin’s evolution from Abstract Expressionist painter to creator of room-sized environments defined by light, space and color.

The exhibition turned out to be a catalyst for Irwin. “For a lot of artists, having a retrospective kind of freezes them,” Davies says. “With Bob it had the opposite effect. It really energized him.”

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Johannes Girardoni – UNDISCLOSED

Oct ’09Nov
2314

Johannes Girardoni Structured Painting - White/Pink, 2008, plexiglass, plywood, enamel and beeswax, 24" x 24" © Johannes Girardoni

Quint Contemporary Art is pleased to exhibit new works by artist Johannes Girardoni. This will be the first solo exhibition for the New York based artist at Quint Contemporary Art. The exhibition opens on October 23rd and will run through November 14th, 2009. There will be a public reception on Friday, October 23rd from 6 to 8PM.

Johannes Girardoni is an Austrian-born, American-based sculptor and installation artist. Girardoni’s works are reductive investigations at the intersection of sculpture and painting, through which he explores the continuously shifting relationship between reality and image. His material vocabulary – found wood, plywood, wax, pigment, light, enamel and plexiglass – and its physical constellation, become both the carrier of an explicitly painterly event, while also being the foundation of an immaterial phenomenon. His orchestration of material and light, presence and absence, things found and things formed, all resist clear fixation, thereby maintaining and creating works with their own non-derivable reality.

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