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Quint Contemporary Art (QCA) is very pleased to announce a solo exhibition of paintings and sculpture by Jean Lowe. This is the seventh solo exhibition for Lowe at QCA. The exhibition will open with a public reception on Saturday, April 21st from 6 to 8 PM.

Lowe’s exhibition is a mix of retail therapy and fairytale visions combined to create abrupt and fascinating interiors in her newest paintings and sculptures. Painted putti and gaudy Baroque interiors house a foreground of consumer products like those found at 99 cent stores, Walmart, Big Lots, thrift stores and flea markets. A trip Lowe took to Austria, Germany and Czechoslovakia informed the Baroque and Rococo interiors used in the paintings.

These whimsical interiors are painted with a loose brushstroke that is typical of Lowe’s painterly hand. The images are detailed but a close look reveal’s a blurred focus, their components melded seemingly together in a witty commentary on commercialism and extravagance. In a recent article for San Diego Home/Garden, Lowe said, “Being too obvious about my position can just be a turn-off, but humor and approaching things obliquely I think opens an avenue for conversation.”

Quint Contemporary Art will be participating in this year’s ART SAN DIEGO | Contemporary Art Fair.

Come by and visit us at booth 55 where artist Jean Lowe will ‘open’ a fully operational art/product marketplace, wherein visitors may purchase editioned and unique items, all hand made by the artist. These products will be priced to “SELL, SELL, SELL” with SOMETHING FOR EVERYBODY. Many of the products for sale in this temporary gallery-store mimic those products depicted in the artists paintings: packaged cookies, books, boxed cereal and other banal goods, made from enamel and cardboard or ceramic. Also on display will be new paintings by the artist.

For ticketing information and to receive free Gallery Guest tickets click HERE.

September 1 – 4, 2011
Hilton San Diego Bayfront San Diego, CA

Quint Contemporary Art is pleased to announce an exhibition of artwork from the estate of Manny Farber, opening July 23 and running through September 17, 2011. There will be a public reception on Saturday, July 23rd from 6 – 8 PM. Manny Farber began showing at Quint Contemporary Art in 1985, and this will be the seventeenth solo exhibition for the artist at the gallery.

The exhibition, comprised of approximately 20 selected drawings and paintings, will feature key works completed over the course of Farber’s painting career. The works will highlight Farber’s passion for painting, film and the visual world in general. His cultivation of a tabletop working process can be traced from his earliest paintings of the everyday objects on his desk, like cigarettes and candy, to his later paintings with images including everything from art books, rebar and flowers from the garden of his wife, Patricia. He once described his art by saying: “…what I’m doing in paintings is pretty much creating movies. I’m lining up objects and lining up paths through painting, pretty close to the way a movie director makes a movie.” The direction of his painting career will be charted from the mid-1970s to the early-2000s.

The fiction of flatness is on full display in “Behind What It’s In Front Of,” the debut exhibition conceived by Seattle-based artist and designer Roy McMakin in Quint Contemporary’s crisp new downtown La Jolla gallery. The show pairs McMakin’s furniture-qua-sculpture with the minimalist canvases of the so-called “Hard-Edge” painter John McLaughlin (1898-1976), creating a visual relationship that works to dispel the popular myth that a surface can ever be flat.

McLaughlin’s paintings are high contrast formal reductions consisting exclusively of rectilinear forms rendered in a cool, muted palette. They are abstract configurations that suggest architectural elements like columns, doors, or windows. The contrast and position of these forms create weighted spatial fields, wherein shapes are ambiguously pulled forward or pushed back in illusionistic fashion. Juxtaposed to these are McMakin’s sculptures, blocky pieces of furniture that read like sculpted likeness of McLaughlin’s canvases, a sense heightened by their similarly painted schema. The McMakin objects are installed between the paintings on the walls or situated free-standing in the room, jutting out into space much the way McLaughlin purports to do illusionistically, establishing the primary visual rapport between the two artists.

Nudie playing cards and pole-twisting dancers doused in blacklight paint? It’s all in a night’s work for New York artist Ryan McGinness.

The international art darling just wrapped up an action-packed month in Los Angeles, where he painted two major murals and pimped his impressive body of work at seven locations—including a pop-up strip club at the Standard. Now it’s on to San Diego, where he’ll leave his semipermanent mark on the 130-by-30 back wall of La Jolla’s Hotel Parisi this summer.

It’s a massive coup for Murals of La Jolla, a project that’s putting up wall art all over town (no word yet on the exact duration, but the outdoor works will be on display for at least a couple of years). McGinness’ huge triptych, an eye-popping horizontal collage of simplistic, Picasso-esque female figures in fluorescent colors against a velvety black background, belongs to the artist’s ongoing Women series.

Quint Contemporary Art is pleased to announce the opening of our new exhibition space with Behind What It’s In Front Of, a show conceived by Roy McMakin to explore his many decade long fascination with the paintings of John McLaughlin. This will be McMakin’s sixth exhibition at Quint Contemporary Art. Please join us for an opening reception with the artist on Saturday, May 21st from 6 to 9pm.