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Robert Irwin’s new work at La Jolla’s Quint Contemporary Art — his first show in a commercial gallery space on the West Coast in three decades — consists mainly of fluorescent light tubes. But it’s important to know that it’s not about the lights.

Sound like a contradiction? On the surface, yes. But not if we take into account the dramatic evolution of Irwin’s art since the 1960s — a body of work that has made him one of the major artists of our time.

Irwin, 81, has worked with an impressive array of media. There are the painted and shaped acrylic surfaces of his ethereal, wall-mounted discs of the late 1960s. Or, the tinted fence he employed in works like “Two Running Violet V-Forms” for UCSD’s Stuart Collection in 1981. Then, there is the vast array of plant life in what is arguably his most famous work for a public place: the Getty Garden in Los Angeles.

No one seems more tickled than Robert Irwin himself by where the artist, at 81, has landed. “It’s fairly humorous,” he says with a smile. Whatever the unsavory circumstances, “I come up smelling like a rose. I like what I’m doing.”

In his customary jeans and baseball cap, he sits among his newly installed work at Quint Contemporary Art in La Jolla, not exactly smug but clearly satisfied. This is his first commercial gallery show in California in 30 years, the result of several significant shifts in his working process. He resisted every one of them, but each ended up delivering unexpected opportunities. They’ve left him chuckling — surprised and grateful.

His new fluorescent tube sculptures relate to other work he’s made over the decades, but they sprang most directly out of an extensive exhibition at the Museum of Contemporary Art San Diego’s two newly built downtown locations in 2007-08. Director Hugh Davies organized the show, which traced Irwin’s evolution from Abstract Expressionist painter to creator of room-sized environments defined by light, space and color.

The exhibition turned out to be a catalyst for Irwin. “For a lot of artists, having a retrospective kind of freezes them,” Davies says. “With Bob it had the opposite effect. It really energized him.”

Quint Contemporary Art is pleased to announce an exhibition of new works by San Diego based artist ROBERT IRWIN. This will be Irwin’s first gallery exhibition on the West Coast since his “One Wall Removed” project at the Malinda Wyatt Gallery in Venice, CA (1980). The exhibition, Works in Progress, will change every two weeks during the run of the exhibit from March 19th through May 1st. A reception will be held on Friday, March 19th from 6 to 8 PM.

Robert Irwin as an artist, theoretician, and teacher, has over the last 50 years, played a pivotal role in the development of the unique tenants of Modern Art. Through his own personal Husserlian reduction, his work became the precursor for art outside the frame and object. This includes installation art, light and space art, art in public spaces, site specific art, and what he now terms, conditional art which draws the focus to the relationship and role of the sentient being vis-à-vis the cognitive self.

Mark Quint, owner of La Jolla’s eponymous gallery, has showcased the work of contemporary artists for nearly three decades. On Aug. 15, Quint will present 75 pieces of that work by regional, national and international artists in “Three Decades of Contemporary Art” at The California Center for the Arts, Escondido Museum. The show will run through Dec. 31.

When the museum asked Quint to mount an exhibition featuring a selection of artists’ work that he has shown over the past 28 years, he had an ample list to choose from. But to build the exhibition, Quint had to borrow many pieces from Southern California museums and private collections. (At least half of the works belong to La Jolla collectors.)
“It is special for me to present the work of many of the artists that I’ve shown in one large space,” Quint said. “I haven’t seen a lot of this work in over 15 years.”

Many of the artists are from the San Diego region, and numerous pieces are large enough to require the spacious venue that the museum provides.