mel bochner

DOUBLE UP DOUBLE UP – A Group Exhibition

Jun ’10Jul
113

Double Up Double Up - A Group Exhibtion June 11 - July 3, 2010

Quint Contemporary Art is pleased to announce the opening of Double Up Double Up, which opens on Friday, June 11 and runs thru July 3, 2010. We are excited to include three artists new to the gallery Tavares Strachan, Eve Sussman & The Rufus Corporation, and Haim Steinbach. The exhibition will also feature works by Mel Bochner and Roy McMakin. There will be an opening reception on June 11, from 6 to 8 PM.

To recall what one has seen is to pull from memory, either consciously or subconsciously. One of the more basic fundamental devices of committing something to memory is repetition. In Double Up Double Up the viewer is invited to explore this principle of memory through works that deal with some form of repetition. The eclectic group of artists in this exhibition examine repetition in unique ways with the use of parallel universes (Stachan), word repetition (Bochner), framing devices (Steinbach), ontological complexities (McMakin), and memory and longing (Sussman). These forms of repetition reveal themselves in double images, duplication, and pairings.

QUINT: Three Decades of Contemporary Art at the California Center for the Arts, Escondido Museum

Aug ’09Dec
1531

QUINT: Three Decades of Contemporary Art at the California Center for the Arts, Escondido Museum Photo Credit: Michael James Armstrong

QUINT: Three Decades of Contemporary Art

at the California Center for the Arts, Escondido Museum

August 15 – December 31, 2009

Special preview Saturday, August 15th from 6 – 9PM

340 N. Escondido Blvd.
Escondido, CA 92025
www.artcenter.org

Cocktails, hors d’ oeuvres, entertainment & live music.
$10 per person for non-members, free to Center Members.

RSVP to (760) 839-4120

The California Center for the Arts, Escondido Museum is pleased to present Quint: Three Decades of Contemporary Art. The exhibition, based on the program of one of San Diego County’s most influential galleries, will open on August 15th and continue through December 31st, 2009. Works in the exhibition, the majority of which have been borrowed from Southern California museums and private collections, present an extraordinary survey of the range of regional, national, and international artists supported and promoted by Quint Gallery over nearly thirty years.

Since opening his first gallery in La Jolla in 1981, Mark Quint adopted a unique, almost nomadic approach to the business of contemporary art. Rather than establishing itself in a permanent location and then expanding over time, Quint Gallery would more often adapt its spaces and program according to the needs of the artists it was interested in presenting. From formal gallery and raw open spaces in downtown San Diego, to large industrial workspaces for artists near Miramar Naval Air Base, to unexpected (and often elegant) spaces secluded in back alleys in Hillcrest or La Jolla, Quint Gallery has maintained the flexibility to represent artists employing a wide variety of practices, mediums, and formats.

Read on …

Protected: Private Room

This post is password protected. To view it please enter your password below:

Mel Bochner

Mel Bochner

Jan ’07Feb
510

Mel Bochner, Obscene Money, 2006, oil on black velvet, 71" x 47"
Quint Contemporary Art is pleased to present an exhibition of recent paintings by Mel Bochner. The show will run from January 5th to February 10th, 2007 with a reception on January 19, 2007 from 6pm to 8pm. Mel Bochner: Drawing from Four Decades will be on exhibit at the San Diego Museum of Art January 13- March 18, 2007.

An artist associated with the Conceptual and Post-Minimal art movements Bochner has worked with a variety of mediums including painting, photography and drawing and has sought to move philosophical, linguistic, and mathematical propositions into the world of the visual.

The new Bochner word paintings are rendered on velvet in sharp neon colored lettering. Critic Roberta Smith wrote about Bochner’s new work in a 2006 review in the New York Times: “Each painting lists the synonyms of an intensely fraught word whose centrality to human experience has spawned a pungent array of vernacular expressions, vulgarities and epithets. These words – contempt, money, crazy, die, useless – and their iterations progress from conventional to obscene, like a voice rising in an abusive rant.”

Read on …