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Maximum minimalism: Icelandic artist Gudmundsson’s striking works at Quint, his first solo exhibition, are striking

By Robert L. Pincus, UNION-TRIBUNE ART CRITIC / BOOKS EDITOR

“I am trying to work within the field of tension that exists between nothing and something.”

— Kristjan Gudmundsson

Perhaps you have never asked yourself: Is there a sophisticated art scene in Iceland? And it would be understandable if you didn’t think there was, since its population is small and it’s remote from art centers like New York or Berlin.

The answer, though, is yes — and, in fact, Kristjan Gudmundsson, a leading Icelandic artist, has exhibited in Berlin, among other places. But it’s unlikely he would have exhibited in San Diego, if not for the interest that Mark Quint has taken in some of the work being made there.

There is nothing conventional about the California Center for the Arts, Escondido, Museum presenting a show devoted to a San Diego gallery. But then, there’s nothing conventional about the gallery itself.

In 1981, Mark Quint opened the Quint Gallery in La Jolla to showcase his art and that of his friends. Soon, he focused on just the works of others. But instead of staying stagnant in a permanent space, he sought out places to adapt to the needs of the artist. His galleries soon became the rave of the contemporary art scene in San Diego, whether he showcased art in a large industrial building near the Miramar military base, in formal gallery or in a back alleyway in Hillcrest.

“The gallery has gone through several different permeations,” explained Quint. “We started slow with a more traditional gallery. Then it was a residency program. I’ve always enjoyed working with artists directly. If anything, that’s what my gallery is devoted to.”