‘announcements’ Archive

Dissecting Nature – Birgir Andrésson, Adam Belt, Stephen Curry, Roman de Salvo, Andy Diaz Hope in collaboration with Laurel Roth, Iran do Espírito Santo, Vernon Fisher, Hreinn Fridfinnsson, Maiko Haruki, Anya Gallaccio, Andy Goldsworthy, Roy McMakin, Lincoln Schatz and James Turrell

LS-Portrait of Water, 2010 (5999 & 6000)

“Art not only imitates nature, but also completes its deficiencies.” – Aristotle

Quint Contemporary Art is pleased to announce a group exhibition of paintings, sculptures, photographs, video and mixed media works by artists Birgir Andrésson, Adam Belt, Stephen Curry, Roman de Salvo, Andy Diaz Hope in collaboration with Laurel Roth, Iran do Espírito Santo, Vernon Fisher, Hreinn Fridfinnsson, Maiko Haruki, Anya Gallaccio, Andy Goldsworthy, Roy McMakin, Lincoln Schatz and James Turrell. The exhibition, DISSECTING NATURE, will open with a public reception on Saturday, January 14 from 6 to 8 PM.

Dissecting Nature is an exhibition of artwork that uses man-made materials to emulate nature or natural materials to create artistic constructions.

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Thór Vigfússon – New Glass Paintings

Thór Vigfússon - Untitled (lemon yellow, leaf green), 2011, enameled glass, 80" x 20" 203.2cm x 50.8cm

Quint Contemporary Art is pleased to exhibit new work by Icelandic artist Thór Vigfússon. This will be the first solo exhibition of the artist’s work at Quint Contemporary Art and will include approximately 16 new glass paintings. Vigfússon was included in a 2008 group exhibition at QCA featuring prominent Icelandic artists. Thór Vigfússon: New Glass Paintings, will open with a reception on Saturday, November 19 from 6 to 8 PM. The reception is open to the public and the artist will be in attendance.

For many years, Thór Vigfússon (b. 1954) has been investigating the interaction between art and its surroundings through works made of glass, plexi, mirrors, and formica. He primarily works with colored glass and mirrors, which allow for engagement between the work and the viewer. The misleading simplicity of Vigfússon’s works are constantly mutating on an intimate plane with the viewer. The artwork creates a dialogue with architectural design through their simple geometric forms and pure colors.

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New Out West – Peter Alexander, Mary Corse, Robert Irwin

PETER ALEXANDER, MARY CORSE, ROBERT IRWIN - New Out West

Quint Contemporary Art is very pleased to announce an exhibition of new works by Peter Alexander, Mary Corse, and Robert Irwin. These three artists are all associated with the Light and Space movement in Southern California during the 1960’s and 1970’s. This will be the first exhibition at Quint Contemporary Art for Los Angeles based artists Peter Alexander and Mary Corse and the second exhibition for San Diego-based artist Robert Irwin. There will be a public reception on Friday, September 23 from 6 – 8PM. The artists will be in attendance.

“During the 1960s and 1970s, light became a primary medium for a loosely affiliated group of artists working in Greater Los Angeles who were more intrigued by questions of perception than by the notion of crafting discrete objects. Whether by directing the flow of natural light, embedding artificial light within objects or architecture, or by playing with light through the use of reflective, translucent, or transparent materials, these artists each created situations capable of stimulating heightened sensory awareness in the receptive viewer.”
Robin Clark PhD, Curator Museum of Contemporary Art San Diego

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MANNY FARBER – Selected Works From The Artist’s Estate

Manny Farber, Stephanie's Limes, 1995, oil on board, 52 x 52 inches

Quint Contemporary Art is pleased to announce an exhibition of artwork from the estate of Manny Farber, opening July 23 and running through September 17, 2011. There will be a public reception on Saturday, July 23rd from 6 – 8 PM. Manny Farber began showing at Quint Contemporary Art in 1985, and this will be the seventeenth solo exhibition for the artist at the gallery.

The exhibition, comprised of approximately 20 selected drawings and paintings, will feature key works completed over the course of Farber’s painting career. The works will highlight Farber’s passion for painting, film and the visual world in general. His cultivation of a tabletop working process can be traced from his earliest paintings of the everyday objects on his desk, like cigarettes and candy, to his later paintings with images including everything from art books, rebar and flowers from the garden of his wife, Patricia. He once described his art by saying: “…what I’m doing in paintings is pretty much creating movies. I’m lining up objects and lining up paths through painting, pretty close to the way a movie director makes a movie.” The direction of his painting career will be charted from the mid-1970s to the early-2000s.

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BEHIND WHAT IT’S IN FRONT OF – Paintings by John McLaughlin Sculptures and videos by Roy McMakin

JOHN MCLAUGHLIN - #2, 1972, oil on canva, 48" x 60"

ROY MCMAKIN Untitled , 2010, found material, oil paint, 45" x 34-1/2" x 20-1/2"

Quint Contemporary Art is pleased to announce the opening of our new exhibition space with Behind What It’s In Front Of, a show conceived by Roy McMakin to explore his many decade long fascination with the paintings of John McLaughlin. This will be McMakin’s sixth exhibition at Quint Contemporary Art. Please join us for an opening reception with the artist on Saturday, May 21st from 6 to 9pm.

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KIM MACCONNEL | ABRACADABRA: NEW ABSTRACT ENAMELS

KIM MACCONNEL - 9 Rabbit, 2010, enamel on wood panel, 46" x 46" x 2-1/2"

Quint Contemporary Art is pleased to announce the opening of Abracadabra: New Abstract Enamels, an exhibition to run in conjunction with MacConnel’s retrospective at the Museum of Contemporary Art San Diego, La Jolla. The retrospective, Collection Applied Design: A Kim MacConnel Retrospective, is the first for the artist in San Diego. This will be Kim’s eighth exhibition at Quint Contemporary Art. Please join us for an opening reception with the artist on Friday, November 5th from 6 to 8pm.

MacConnel has worked in San Diego for the past 30 years, and has recently retired as a professor of art from UCSD. MacConnel is a seminal figure in the Pattern and Decoration movement of the seventies, but overall MacConnel’s oeuvre has surpassed being categorized. His sensibility and talent has created a unique language using color and composition. He persuades the viewer to appreciate the appeal and conceptual property of patterns and draws inspiration from such wide-ranging and multicultural resources as the textile arts of numerous world regions, found graphic images, Henri Matisse, and Pablo Picasso.

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